In “Young Woman and the Sea,” director Joachim Rønning crafts a fascinating yet frustrating exploration of female athleticism and perseverance, brought to life by sportswriter Glenn Stout’s insightful book. The film stars Daisy Ridley, whose portrayal of the determined swimmer Gertrude Ederle captures both the tenacity and spirit necessary to break barriers in a male-dominated sport. This film chronicles not just a sporting accomplishment, but a broader commentary on gender dynamics and resilience.
The narrative follows Gertrude Ederle, known as Trudy, as she defies societal and physical challenges to become the first woman to swim across the English Channel. Starting from her sickly childhood in 1914 Manhattan, where she nearly succumbs to measles, the film paints a vivid picture of her early years. As a spirited child portrayed by Olive Abercrombie, Trudy’s determination to swim is palpable despite the scoldings of her traditional German-immigrant father, played by Kim Bodnia. Daisy Ridley takes over the role as Trudy grows into her teenage years, bringing a fierce energy akin to her role as Rey in the “Star Wars” sequels.
One of the film’s most engaging elements is its depiction of the systemic misunderstandings and indifference women faced in the realm of sports during that era. The male-dominated sports institutions are shown to be not just dismissive but overtly hostile towards female athletes. Trudy faces numerous obstacles, not only logistical but psychological, from the men who fail to support her ambitions and often seek to undermine them. However, Trudy’s resourcefulness and unyielding spirit see her through, consistently finding ways to train and compete, often against the odds.
Rønning’s directorial approach finds a balanced tone, making the film inspirational without veering into schmaltz. The Norwegian filmmaker, whose work on the Oscar-nominated “Kon-Tiki” likely prepared him for the aquatic challenges presented here, excels in illustrating Trudy’s journey through visually captivating sequences. Cinematographer Oscar Faura complements this with striking visuals, from the crowded, working-class spaces of early 20th-century Manhattan to the enfolding vastness of the English Channel. An especially harrowing sequence has Ederle slicing through a field of bright-red jellyfish, capturing the visceral fear and physical endurance required of her journey.
The dynamic performances add depth to the story. Daisy Ridley shines, embodying Trudy’s resolve with a quick wit and strong sense of self. Jeanette Hain plays her elegant and headstrong mother, pushing both Trudy and her older sister Meg, portrayed by Tilda Cobham-Hervey, towards swimming—highlighting the supportive but competitive familial bonds. Though both actresses excel, their mature appearances slightly detract from their portrayal as younger characters, a minor distraction in an otherwise seamless narrative.
The screenplay skillfully integrates moments of levity with training montages, courtesy of the tough yet amusing Lottie Epstein, played by Sian Clifford. The dialogue has its notable moments, particularly in how it captures the period’s society and the gender stereotypes that Trudy constantly battles against. The interplay between Trudy and her detractors often underscores broader themes of perseverance against societal rigidity. That said, the film makes it clear from the start that Trudy Ederle’s success is guaranteed, eliminating any dramatic tension in her predictable ascent to the top of women’s swimming.
Underneath the surface narrative of a trailblazing athlete lies the film’s exploration of broader themes: the indomitable human spirit, the struggle against entrenched gender roles, and the power of self-belief. These themes are emotionally resonant, particularly for viewers with an interest in sports or gender studies, yet have universal appeal for anyone who has pursued a seemingly impossible goal.
On a technical level, the film largely succeeds. The sound design immerses viewers into the various environments Trudy navigates, enhancing the tension and triumph experienced throughout her journey. However, some transitional elements could be smoothed out, as certain shifts in scenes occasionally feel abrupt, disrupting the otherwise compelling flow of the narrative.
“Young Woman and the Sea” stands as a stirring film that transcends its immediate sports genre. It’s a story of daring and fortitude, rendered through compelling performances and engaging direction. Young women, particularly those involved in sports, will find it especially impactful, but its message of perseverance resonates universally. Rønning has crafted a film that’s inspirational, visually captivating, and thematically rich, making it a must-watch for anyone drawn to stories of human triumph against the odds.
Wrapping up, “Young Woman and the Sea” is not just a cinematic journey but a heartfelt tribute to the tenacity of women like Gertrude Ederle.
