The Criterion Collection, an esteemed treasure trove of cinematic brilliance, has various avenues for cinephiles eager to explore its offerings. While some might opt for the tangible nostalgia of owning a DVD or Blu-ray from Criterion’s website—especially during one of its notorious flash sales—others might prefer the more modern convenience of streaming. Thanks to a renewed partnership with Max, formerly HBO Max, fans can now dive into a selection of Criterion classics right alongside the latest blockbuster.
This renewed “multiyear deal extension,” as detailed by Variety, expands Max’s already diverse library with a fresh infusion of artistic nuance and critical acclaim. Among the illustrious titles gracing the platform are Isabella Rossellini’s quirky “Green Porno” (2008) and Héctor Babenco’s magnetic “Kiss of the Spiderwoman” (1985). Mira Nair’s vibrant “Mississippi Masala” (1991) and Alejandro Amenábar’s thrilling “Open Your Eyes” (1997) also join the ranks, along with Nicolas Roeg’s visually arresting “Walkabout” (1971). For monster enthusiasts, Max now boasts a trio of Godzilla films: “The Return of Godzilla” (1984), “Godzilla vs. Biollante” (1989), and “Godzilla vs. King Ghidorah” (1991).
This partnership, while providing a substantial number of cinematic gems, represents just the tip of the iceberg in Criterion’s vast catalog. Die-hard fans of world cinema might opt to retain their Criterion Channel subscription to savor the full breadth of its offerings. And speaking of breadth, Max’s movie nights can seamlessly segue from Tokyo Story to other vastly different experiences like “Barbie” or Denis Villeneuve’s modern adaptation of “Dune.” Moreover, there’s a sprinkle of anticipation for Clint Eastwood’s “Juror #2,” slated to hit the streamer in December.
For those wanting a more experiential engagement, Criterion occasionally dispatches its whimsical Mobile Closet—an iconic van brimming with movies—to various cities. This delightful pop-up shop serves as a mobile haven for collectors and casual viewers alike, despite the potentially long wait times. It’s a testament to Criterion’s commitment to extending its revered collection’s reach beyond the digital realm.
Beyond new releases, this continuation of Criterion’s collaboration with Max grants wider access to landmark cinema. From Charlie Chaplin’s enduring “Modern Times” (1936) to the haunting realism of George A. Romero’s “Night of the Living Dead” (1968), and the poetic heart of Yasujirō Ozu’s “Tokyo Story” (1953), the Criterion collection provides an arsenal of narratives that span decades and genres. Wong Kar-wai’s “In the Mood for Love” (2000), with its dreamy melancholy and lush visuals, rounds out a profound cinematic journey.
Max enriches its roster by coupling Criterion classics with current popular titles, ensuring it remains a formidable player in the streaming landscape. As the year draws to a close, viewers are indeed spoiled for choice, whether they’re craving monster mayhem or meditative storytelling. Rumor has it there’s a Cronenberg marathon on Criterion that might just be the seasonal ticket for a spine-tingling Halloween night.
Closing Credits
The Criterion-Max alliance, by ushering in an eclectic mix of revered and revered films alongside mainstream hits, offers an engrossing experience for all film enthusiasts. This collaboration continues to evolve, and as titles come and go, the promise of more inevitable cinematic adventures lingers. Mark your calendars for December 20, when Clint Eastwood’s “Juror #2” joins Max’s lineup, a further testament to the platform’s diverse appeal.
